Everything about Ronald Harwood totally explained
Ronald Harwood CBE, (born
November 9,
1934 in
Cape Town,
South Africa) is a writer, principally a
playwright and
screenwriter. He is the son of Isaac Horwitz and his wife Isobel (Pepper).
He was educated at
Seapoint Boys’ High School, Cape Town. He married Natasha Richie. The actor Sir
Antony Sher is his cousin.
Theatre work
Harwood moved to
London in 1951 to pursue a career in the theatre. After training for the stage at the
Royal Academy of Dramatic Art, he joined the
Shakespeare Company of Sir
Donald Wolfit, one of the last great
actor-managers in
Great Britain. From 1953 to 1958, Harwood was Sir Donald's personal dresser. He would later draw on this experience when writing his play,
The Dresser, and he wrote the biography:
Sir Donald Wolfit CBE: His life and work in the Unfashionable Theatre.
In 1959, after leaving the Wolfit company. he joined the
59 Theatre Company for a season at the
Lyric Hammersmith.
Writing career
In 1960, he started a new career as a writer and became quite prolific, penning novels, plays and non-fiction books. He also worked as a screenwriter, but seldom wrote original material directly for the screen, usually acting as an adapter, sometimes of his own work (notably
The Dresser).
Playwright and Theatre historian
One of the recurring themes in Harwood's work is his fascination for the stage, its performing artists and artisans as displayed in the
The Dresser, his plays,
After the Lions (about
Sarah Bernhardt),
Another Time (a semi-autobiographical piece about a gifted South African pianist),
Quartet (about ageing opera singers) and his non-fiction book
All the World's a Stage, a general history of theatre.
His plays include:
- March Hares (Liverpool, 1964)
- Country Matters (69 Theatre Company, Manchester, 1969)
- The Good Companions (musical by Andre Previn), libretto (Her Majesty's Theatre, 1974)
- The Ordeal of Gilbert Pinfold, adapted from Evelyn Waugh's novel (Royal Exchange Theatre, Manchester and the Round House, London, 1977,
- A Family (Manchester and the Theatre Royal, Haymarket, 1978)
- The Dresser (Manchester and Queen's Theatre, 1980; Duke of York's Theatre, 2005)
- After the Lions (Manchester, 1982)
- Tramway Road (Lyric Hammersmith,1984)
- The Deliberate Death of a Polish Priest (Almeida Theatre, 1985)
- Interpreters (Queen's Theatre, 1985)
- J J Farr (Theatre Royal, Bath and Phoenix Theatre, 1987)
- Ivanov, translation of Chekhov's play (Strand Theatre,1989)
- Another Time (Bath and Wyndham's Theatre,1989)
- Reflected Glory (Darlington and Vaudeville Theatre, 1992)
- Poison Pen, about the death of composer Peter Warlock (Manchester, 1993))
- Taking Sides, about the conductor Wilhelm Furtwangler (Minerva Theatre, Chichester,1995)
- The Handyman (Minerva Theatre, Chichester, 1996)
- Quartet (Albery Theatre, 1999)
- Goodbye Kiss/Guests, double bill about the South African diaspora (Orange Tree Theatre, 2000)
- Mahler's Conversion (Yvonne Arnaud Theatre, Guildford and Aldwych Theatre, 2001)
- See U Next Tuesday, adaptation of Francis Veber's Diner de Cons (Gate Theatre, Dublin, 2002 and Albery Theatre, 2003)
In February 2008 his play
An English Tragedy, based on the true story of the British fascist
John Amery, received its world premiere at the Palace Theatre
Watford in a production directed by
Di Trevis.
Screenwriter
Harwood also has a strong interest in
World War II, as shown by the films
Operation Daybreak,
The Statement,
The Pianist, and his play turned to film
Taking Sides. Based on true stories, the two last films feature musicians as their main characters.
He also wrote the screenplay for the films,
The Browning Version (1994) with Albert Finney,
Being Julia (2004) with
Annette Bening and
Jeremy Irons, and
Roman Polanski's version of
Oliver Twist (2005) with
Ben Kingsley.
He won an
Academy Award for the script of
The Pianist, having already been nominated for
The Dresser in 1983. Harwood received his third
Oscar nomination for
Best Adapted Screenplay in 2007 for his adaptation of the memoir by
Jean-Dominique Bauby,
The Diving Bell and the Butterfly, for which he also won a
BAFTA.
Recognition
Harwood was president of the
English PEN Club from 1989 to 1993, and of
International PEN from 1993 to 1997. He was Chairman of the Royal Society of Literature (2001 to 2004) and is President of the Royal Literary Fund (2005). He was made Fellow of the
Royal Society of Literature in 1974, Chevalier of the Order of Arts and Letters (1996) and
Commander of the British Empire in 1999. In 2003 he was elected a member of the
Serbian Academy of Sciences and Arts in the Department of Language and Literature.
Selected Filmography
Screenplay, unless stated.
Australia (2008)
Love in the Time of Cholera (2007)
The Diving Bell and the Butterfly (2007)
Oliver Twist (2005)
Being Julia (2004)
The Statement (2003)
The Pianist (2002)
Taking Sides (2001)
Cry, the Beloved Country (1995)
The Browning Version (1994)
The Doctor and the Devils (1985) (from a script by Dylan Thomas)
The Dresser (1983) (Screenplay and Producer)
Operation Daybreak (1975)
One Day in the Life of Ivan Denisovich (1971)
Eyewitness (1970)
Private Potter (1962)
Bibliography
All the Same Shadows (novel) Cape (1961)
George Washington September Sir! (novel) Avon (1961)
The Guilt Merchants (novel) Cape (1963)
The Girl in Melanie Klein (novel) Secker & Warburg (1969)
Sir Donald Wolfit: His Life and Work in the Unfashionable Theatre (biography) Secker & Warburg (1971) ISBN 0436191210)
Articles of Faith (novel - Winifred Holtby Prize) Secker & Warburg (1973) ISBN 0436191229
The Genoa Ferry (novel) Secker & Warburg (1976) ISBN 0436191237
César and Augusta (novel about the composer César Franck) Secker & Warburg (1978) ISBN 0436191199
One. Interior. Day. Adventures in the Film Trade, Secker & Warburg (1978) ISBN 0436191245
New Stories 3: An Arts Council Anthology (with Francis King) Hutchinson (1978) ISBN 0091332710
The Dresser (play) Grove Press (1981) ISBN 0394179366
A Night at the Theatre (editor), Methuen (1982) ISBN 0413499502
The Ordeal of Gilbert Pinfold (play) Amber Lane (1983) ISBN 0906399424
After the Lions (play) Amber Lane (1983) ISBN 0906399416
All the World's a Stage (theatre history), Secker & Warburg (1984) ISBN 0436191326
The Ages of Gielgud, an Actor at Eighty, Hodder & Stoughton (1984) ISBN 0340348283
Tramway Road (play) Amber Lane (1984) ISBN 0906399580
The Deliberate Death of a Polish Priest (play) Amber Lane (1985) ISBN 0906399637
Interpreters (play) Amber Lane (1986) ISBN 090639967X
Mandela (a Channel Four book), Boxtree (1987) ISBN 1852832045
Dear Alec: Guinness at 75 (editor), Hodder & Stoughton (1989) ISBN 0340499540
Another Time (play) Amber Lane (1989) ISBN 090639998X
Reflected Glory (play) Faber (1992) ISBN 0571164633
The Collected Plays of Ronald Harwood, Faber (1993) ISBN 0571170013
The Faber Book of the Theatre (editor) Faber (1994) ISBN 0571164811
Harwood Plays: Two (Contemporary Classics), Faber (1995) ISBN 9001877427
The Handyman (play) Faber (1997) ISBN 0571190413
Quartet/Equally Divided (plays) Faber (1999) ISBN 0571200923)
Mahler's Conversion (play) Faber (2001) ISBN 9780571212316
The Pianist/Taking Sides (screenplays) Faber (2003) ISBN 0571212816
An English Tragedy (play) Faber (2006) ISBN 0571233287
Ronald Harwood's Adaptations: From Other Works Into Films, Guerilla Books (2007) ISBN 9780955494307Further Information
Get more info on 'Ronald Harwood'.
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